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External Websites
- Mt. Hood Community College Library Press - The Origins of Greek Myth
- Georgia Southern Commons - Containing the Kalon Kakon: The Portrayal of Women in Ancient Greek Mythology
- The Guardian - Fruits of the loom: why Greek myths are relevant for all time
- Academia - A Brief History of the Study of Greek Mythology
- World History Encyclopedia - Greek Mythology
- Humanities LibreTexts - Greek Mythology
- PBS LearningMedia - Homer and the Gods - The Greeks
- Ancient Origins - Human Origins According to Ancient Greek Mythology
Britannica Websites
Articles from Britannica Encyclopedias for elementary and high school students.
- Greek mythology - Children's Encyclopedia (Ages 8-11)
- Greek mythology - Student Encyclopedia (Ages 11 and up)
Written by
John Richard Thornhill Pollard,
A.W.H. Adkins•All
Fact-checked by
The Editors of Encyclopaedia Britannica
Last Updated: •Article History
- Key People:
- Louis-Nicolas Ménard
- Georg Friedrich Creuzer
- Pherecydes of Syros
- Homer
- Ethel Schwabacher
- Related Topics:
- nymph
- Aegeus
- Alcmene
- kentauromachia
- Achilles’ heel
- On the Web:
- Georgia Southern Commons - Containing the Kalon Kakon: The Portrayal of Women in Ancient Greek Mythology (Nov. 21, 2024)
See all related content
Western people of all eras have been moved and baffled by the deceptive simplicity of Greek myths, and Greek mythology has had a profound effect on the development of Western civilization.
The earliest visual representations of mythological characters and motifs occur in late Mycenaean and sub-Mycenaean art. Though identification is controversial, Centaurs, a siren, and even Zeus’s lover Europa have been recognized. Mythological and epic themes are also found in Geometric art of the 8th century bce, but not until the 7th century did such themes become popular in both ceramic and sculptured works. During the Classical and subsequent periods, they became commonplace. The birth of Athena was the subject of the east pediment of the Parthenon in Athens, and the legend of Pelops and of the labours of Heracles were the subjects of the corresponding pediment and the metopes (the spaces between the triglyphs on a Doric frieze) of the Temple of Zeus at Olympia. The battles of gods with Giants and of Lapiths (a mountain tribe in northern Greece) with Centaurs were also favourite motifs. Pompeian frescoes reveal realistic representations of Theseus and Ariadne, Perseus, the fall of Icarus, and the death of Pyramus.
The great Renaissance masters added a new dimension to Greek mythology. Among the best-known subjects of Italian artists are Sandro Botticelli’s Birth of Venus, the Ledas of Leonardo da Vinci and Michelangelo, and Raphael’s Galatea.
Through the medium of Latin and, above all, the works of Ovid, Greek myth influenced poets such as Dante and Petrarch in Italy and Geoffrey Chaucer in England and, later, the English Elizabethans and John Milton. Jean Racine in France and Johann Wolfgang von Goethe in Germany revived Greek drama, and nearly all the major English poets from William Shakespeare to Robert Bridges turned for inspiration to Greek mythology. In later centuries, Classical themes were reinterpreted by such major dramatists as Jean Anouilh, Jean Cocteau, and Jean Giraudoux in France, Eugene O’Neill in America, and T.S. Eliot in England and by great novelists such as James Joyce (Irish) and André Gide (French). The German composers Christoph Gluck (18th century) and Richard Strauss (20th century), the German-French composer Jacques Offenbach (19th century), the Russian composer Igor Stravinsky (20th century), and many others have set Greek mythological themes to music.
John Richard Thornhill Pollard A.W.H. Adkins The Editors of Encyclopaedia Britannica